Finding collections relating to d/Deaf, disabled and neurodiverse people

One of the aims of our project is to make collections relating to d/Deaf, disabled and neurodivergent people more visible – and to share some of the objects our Fellows and Trainees are discovering.

Some will have quite obvious connections to disabled people’s lives – a walking stick, some braille or images of disabled people. But we will also be exploring less obvious connections too. Sometimes the significance of an object is its owner; its part in a bigger story, or the way someone with lived experience of disability has responded to it. In this way we hope to broaden the ways that d/Deaf, disabled and neurodivergent stories are told.

Collections

CERAMIC ANIMAL-MASKED HEAD (Pottery)

Zapotec civilization (700 BCE - 1521 AD)

1948.3.5B

This ceramic head (possibly for a funerary urn) depicts a masked head in the form of an animal with large canines, ears broken and tongue extended. A large cord which is knotted under the neck helps us identify it as a masked person. This object was displayed in the co-curated gallery trail "Nothing Without Us:...

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Rights information: Copyright: Pitt Rivers Museum, University of Oxford

Description

This ceramic head (possibly for a funerary urn) depicts a masked head in the form of an animal with large canines, ears broken and tongue extended. A large cord which is knotted under the neck helps us identify it as a masked person. This object was displayed in the co-curated gallery trail "Nothing Without Us: Experiences of Disability" at the Pitt Rivers Museum, curated by Kyle Lewis Jordan, running from 16th November 2023 - 6th October 2024.

Masking for performance and ritual occurs in multiple cultures across the world, and can serve as a form of empowerment. Co-producer Hannah Holden was fascinated by this, and it's inclusion in the Human Form in Art display, as a neurodivergent person for whom "masking" means performing neurotypicality.

Community curation: I find it interesting that these figures are designed to represent some kind of ideal human. It makes me think about the importance we place on masking; or rather, the importance of masking that is put on us by society. The emotions you can see in this case are, by their very nature, studied. In my early teens, I had to spend a lot of time studying social cues in order to gain access to social spaces. I think most people don’t realise just how much of human interaction is based on rituals. When these things don’t come naturally, you essentially learn them like scripts. - Hannah H, Museum Enjoyer